Yep, I’ve gotten those a bunch! We have entered into a license with Facebook in the USA and have various licenses in other territories as well. If you’re releasing and actively promoting your music, you need to be registered with a PRO and with SoundExchange. Hi JM – Thats a great question and something a lot of people get confused about. The no upfront fees or any cost whatsoever is super nice about AWAL. You don't need to be registered with a Performing Rights Organization in order to collect your earnings from the stores you distribute to via DistroKid, but you're welcome to do register your works with them for additional publishing administration outside of DistroKid. Hey there, You can hold off even setting up a publishing company until you’ve got royalties to collect, like a big sync placement. Wow, thank you so much for writing this article! Thanks. Personally, I’d rather pay once and be done with it. Yes, you still need to register with a PRO and SoundExchange. Well, from your PRO or your admin publisher. Although I use Stem for distribution and song splits, I typically still register the song with Songtrust. But, I’m working with an artist who’s relatively small, but growing over time. Also I’m not happy with cdbaby. . I have signed up and am excited to see the money that’s found. It’s still way too early to say “hey where’s my royalties”. I have a media group. And the song they are singing isn’t remotely like mine. TR. I hear mechanicals are are larger in comparison. It sounds like you’ll make your investment back quickly, and be set for the long haul. CHECK OUT MY MUSIC - https://SoundCloud.com/LoFiChill I made a video about making money with music streaming a while back. I wrote an article comparing Audiam and AdRev awhile back, and concluded the pennies aren’t worth the hassle. I hoped maybe Songtrust would dig some of that up. The International Standard Musical Work Code (ISWC) is an 11-character alphanumeric code or international identification system cataloging individual compositions (usually songs), rather than recordings. Sorry I’m a bit of a cynic. What changes did you notice on your backend at ASCAP? You can register with Sound-exchange ( for those niche digital performance royalties). The key word here is “STEALING”. Hopefully they’ve upped their support game since! It sounds like you haven’t released a lot of material. My personal feelings are that under new ownership of cdbaby I haven’t received one “download” in three years. Does it require its own account, or is it part of your Songtrust writer’s account? Personally, I don’t want to have to decide when to pull a release based on slowing sales. I didn’t think that was even possible! The next year they changed their pricing structure to the current $100 plus 15% commission. I have them registered with BMI, and I also signed up with SoundExchange. Is Songtrust a Performing Rights Organization (like ASCAP, BMI, SESAC)? They have not responded to this. you pay once if your release does nothing for you, but cdbaby takes 9% of everything you earn. Also, would Songtrust collect from TikTok? I must say, it is a very lengthy process so it’s important that songwriters/publishers read all the terms of their publishing administration agreement, in case they want to make the big switch. When I called they brushed me off by saying I should “First pay the publishing fees” When I explained I was the publisher & owner of BMI affiliated Original Sound Music. I’m not sure I’ve earned enough from those sources to compensate from the 15% taken directly from my ASCAP payment, but my life feels tidier knowing I’m not missing out on potential income. Feel free to advocate on my behalf. So, you also have to make these decisions based on what will set you up best for the future, not just at this snapshot in time. I was pretty disappointed! The rejection email is just a form letter, though it does say I should feel free to apply again in the future. If for no other reason, search engine results. Just signed up using the discount code. I’m not sure non-Premier artists can collect royalties, except through Repost, which SoundCloud just bought, so…. Yeah I’d be happy to shoot them an email at the same time you apply again, just let me know when you do it! I highly recommend reading The Song Machine if you haven’t already: https://amzn.to/2flvGBI. CD Baby Pro partners with Songtrust. What I don’t understand about your article is that you mention Tunecore has a catch: you have to work with them exclusively for licensing. If you are close to that number, growing, or have high expectations around your next project I suggest pulling the trigger sooner than later so that you can increase your long term cashflow and ensure the royalties don’t fall into the black box. CD Baby members are no doubt already familiar with CD Baby Pro, which is powered by Songtrust. Are there any other options I overlooked? It’s hard to trust a “review” where you make money if people sign up to them through your link. Oh and about CDBaby: if you sell less than 100$ a year, CDBaby is a good deal, ’cause you pay 9% instead of a yearly 10$ fee, but if your track does well and you make say 1000$, CDBaby takes 90$ instead of the 10$. I'm trying to add myself as a songwriter but its not allowing me to. And then once I paid, I found out they charge $2 per MONTH to administer cover songs. I think unless you go out of your way to contact them they don’t care, they never sent me anything or have followed even one time. I think people that are out-going enough can really make a difference. Whatever distributor you used to get your songs online should be paying you. Please let me know if I’m wrong, or perhaps whether you imagine a UK writer is better to stay with a UK company like Sentric. I’d love your thoughts on this. BMI vs ASCAP vs SESAC: which one is for you? To the best of my understanding, even if you affiliate directly with HFA, you still haven’t covered Music Reports in the US, or any of your mechanical royalties outside the US. I’ve heard great things about them from Pete Byrne of Naked Eyes. Creators Songwriters, producers and creators collect royalties globally from your songs while keeping 100 percent of the rights. I have also created my own publishing company, but would like to know what the disadvantages/advantages are with registering my own publishing company with BMI and with a publishing admin at the same time ? Creators Songwriters, producers and creators collect royalties globally from your songs while keeping 100 percent of the rights. The TAXI and Songhunters submission fees are more of a disincentive than anything, to stop people from sending in anything and everything. When you register your titles with ASCAP the money is split with 50% to the writer and 50% to the publisher so you have to register with ASCAP as a writer and a publisher. You need a publishing administrator like Songtrust to collect it. As of this writing, CD Baby doesn’t yet contract with TikTok, so just wondering how to collect from there. Traditional performance royalties vs. digital performance royalties. To make your decision easier, readers who sign up with the discount code PASSIVE-ST get 20% off the $100 setup fee. It still is the songwriter pays the industry where it should be the industry pays the songwriter. Hey, some info for UK writers thinking of songtrust. I was told the mechanical royalties from YouTube were in a different classification from regular mechanical royalties (maybe because they are microsync? Many years ago, I saw a post on the Songtrust blog, breaking down the various royalties Spotify pays to songwriters. I wasn't getting anything from ASCAP. The problem is that they always show me as the songwriter but some other artist has recorded it. Whether we are composing music underscore directly for films and TV shows or we are licensing music into Films and TV shows through music libraries and publishers, there are never any mechanicals. True I don’t make a lot of money on cdbaby but I have a lot of streams. Now it’s been 3 years and I have not received one payment that represents a “sale”. On a historical basis(2015-2018) 200-250k streams may be more likely to hit the $117.56 you need to recoup your $100 signup fee. When I have tried to sign up with “Songtrust”. Am I correct? Jess. I’m in the exact same boat. It shows 50% going to Songtrust. As you can see, Songtrust collected plenty for me that I wouldn’t have otherwise received. Are you considering posting your lyrics online, and worried about them being stolen? CD Baby took money in full for the pro set-up but after many years, never paid out a single penny from the time I purchased. The writer's share still comes directly through ASCAP. One of my clients had a bad experience with Distrokid, but that’s purely anecdotal. It’s 99 cents minus Apple’s 30% minus CD Baby’s 9%. Pay Schedule: Click here for ASCAP’s writer and publisher pay schedules. My music has racked up a lot of views on Instagram, Twitter, and Facebook videos. It sure would be easier if it could be handled by the aggregator. If I saw that a video using my music was getting millions of views, I might opt in through Songtrust for just that video. It’s just odd that I always got paid once a year from cdbaby, going over 100 dollars including having many “downloads”. like most of already do. With CD Baby Pro, royalty collection is bundled with digitial distribution. I’m trying to decide between sentric and songtrust. So if you believe your music will sell, I’d go the first year to Tunecore, keep it there as long as it sells well, and move it to CDBaby when sales start dropping below about 100$ a year. My understanding is that Songtrust works through HFA, and that HFA doesn’t work directly with artists. If you’re not already affiliated with a Performance Rights Organization – ASCAP, BMI, SESAC, IMRO, or another PRO – you can affiliate for one directly through your Songtrust account. The first thing that most young songwriters in the US hear is “you need to sign up for ASCAP or BMI to make sure you get your songwriter royalties.” I have to hand it to ASCAP and BMI’s PR departments. Songtrust is a publishing administration company. Here’s to everyone’s success. its said “You retain the exclusive right to negotiate and grant sync licenses on whatever terms you establish for the use of your Compositions via “traditional” means, as that term is understood in the U.S. music publishing industry, such as one-off licenses for use in films, television productions, commercials, and video games. Quickly? Otherwise you’re potentially leaving 50% of your royalties on the table. Now that I’m using Symphonic for distro, I’m deciding whether do sync/content id with a company directly instead of via my distributor to avoid their extra commission. But royalties never appear like magic. And after that, it’s only a buck a song, which shouldn’t be much of an imposition. I believe they have targeted the independent singer/songwriter that is still trying to make it to the big time. Why Songtrust; Who Uses Songtrust. Hi Brian, I’m glad to see you’re still responding to this thread. When with CD Baby, they did this via Rumblefish. Yes, I think CD Baby collect mechanical on downloads, but not streams. As a publishing administrator, we're authorized to register your works and collect money on your behalf - you still own and control 100% of your copyright. Songtrust provides worldwide publishing administration services to independent songwriters, publishers, labels with publishing arms, managers, lawyers, distributors, and anyone else representing compositions. Any chance that will be working again? This can be done by Selecting “Payment Information” from the “Profile” section on the left hand side of your ASCAP account. You might also say that we have more companies advocating on our behalf to collect money that we otherwise wouldn’t see. Will Songtrust Be My Publisher? I've contacted CS, so far nothing.I feel completely screwed! I use Songtrust and they only collect the Publisher's share of my royalties. At least not right now. I was hoping there was a pot of gold waiting for me when I joined Songtrust, but it was more like a jar of pennies. channels to just copy an release my artists work. I’m not sure what you’re expecting of them. I am now signed up with Songtrust. I know that HFA does have free non-affiliated accounts but I’m trying to better understand which firm is better on the global scale, as I’ve read that HFA is primarily more focused on North American royalty collections. Just want to say Kudos to you sir. In addition to Eric, in the terms; I’ll reach out to Songtrust and see if they can comment. Some western European countries pay more per 1,000 streams, some less…. I’ll do my best, but keep in mind I wrote this article three years ago and haven’t made a point of keeping up. Songtrust is an additive service to being registered with ASCAP. One thing I am still unsure about is how to collect the mechanical royalties from YouTube. If it really bothers you, I guess the next step is to contact your PRO and/or Harry Fox, but I don’t see any point in pursuing it. Beyond the financial uncertainty, there’s also the psychological uncertainty. With Sentric, you keep £8. If you’re sure you’re going to keep releasing music, you might as well go ahead and join! Lets assume you wrote the song, recorded it, own rights to the master, embedded the isrc yourself, etc.) Wow, that doesn’t sound like them at all! You’re right, you need a good amount of listeners to make a lot of this worthwhile. Some instrumental I think from watching you on YouTube.com. That’s quite an undertaking you’ve got going there! Can you tell me if CD Baby PRO takes a % after Songtrust takes theirs? Hi Ken, I think the biggest problem with soundtrust here is this venue we are speaking in. Hope you don’t mind, I edited down your comment to remove the form text. I wouldn’t sign up with Songtrust just yet. I think 15% commission is worth it if they earn their keep by getting you on playlists. I’m confused by by the previous gentleman’s story. I’d say unless you have 10K or more monthly listeners on Spotify, it will take a long time to recoup the $100 investment. Yes, definitely let us know how you like it! The (only? Thanks again! Although Distrokid charges a extra fee for theirs, what is the difference between the two Youtube options ? Do you think now is the time to join SongTrust? Do BMI and ASCAP have extra services like PRS, where they collect mechanical royalties? I understood that SongTrust collected royalties far beyond what a PRO would do, so I thought I needed to be with both. Also, he says that in the US the aggregator (like CD baby) pays the mechanical royalty. Your insight is amazing thanks a bunch! Correct me if I’m wrong! Last I looked in my ASCAP account, it showed my publishing company as the publisher, but also listed Songtrust as admin publisher. Also, I’ve already put out 12 songs, 9 this year, 32 more already scheduled to release this year, am I going to have to pay to register for each 10 songs that I decide to put out? (example: Did Songtrust replace your publishing company on the registration forms?). Etch-A-Sketch Are your songs showing up as registered in the dashboard? Publishing is complicated. It’s good you are making some money. Obviously you’re going to only say good things about it. First, am I correct that Songtrust is the only publishing administrator not to also aid in digital distribution? Rumblefish does that too, but is mainly a music library that will license your music for super cheap. SongTrust vs ASCAP/BMI/SESAC Can someone please explain what is difference of using a resource like Songtrust vs Direct registration with the P.R.O.'s. Since receiving this I replied immediately requesting confirmation of my membership cancellation. I believe I’m currently receiving all possible writer and publisher royalties (from BMI), but don’t believe I’m collecting any mechanical royalties (thought I was, but after much reading online, seems not). You have to pay 10$ for each 10 following tracks, so it’s actually not a one time fee as with Tunecore. Required fields are marked *. ASCAP vs BMI vs SESAC – How To Get Your Royalties. So it’s not quite as simple for Brit songwriters to compare. Songhunters.com will let you know all who are looking for a certain type of music and all I have to do is send in every song I have that fits what they want, the only problem is I have to send in 15 dollars for each song. Nothing wrong with that, but again… what are you expecting Songtrust to do? I’ll give it some time. If we don’t get an official response soon, feel free to remind me and I’ll email CJ. ; Creator Reps Managers and lawyers connect with the most extensive, accessible publishing network in the industry. This thread being as old as it is, I was surprised to see someone successfully used it last month! When is the right time to join SongTrust to collect on my publishing royalties? There is a lot to learn and like one person above mentioned, so many hands dipping into the pot these days, it is more confusing than clarifying when you get out there and try to figure out what step to actually take next or what company to bring on board. Worse, they can get a copyright claim after you told them it was okay to use the track. You have a nice voice. Please let me know if you find a solution! I wouldn’t expect much either way, at least based on the $24K streams, which probably netted you less than $100 from your distributor. Would I still need soundexchange even with tunecore, ascap, and songtrust? I joined Songtrust.. After reading on how much I paid the 100$’s and thought the 15% for there take was o.k. Hi Jason, I recently signed up with songtrust thanks to Noelle Gambunti. Do me and my group members register with a PRO under the collective name or do we just run individual accounts and split percentages when we work togther?? And definitely sign up for SoundExchange ASAP! As for SoundCloud, I have no idea. Which brings me to my main question: What exactly is the relationship between Songtrust and HFA? None of the agencies you’re working with has anything to do with copyright. I’m thinking registering with Distrokid or Indigoboom and waiting with registering with an admin publisher. . Youtube streaming royalties are less than these. Brilliant but as I am in Australia I have no idea whether this is a good idea for me or not. At present the royalties are paid out by market share but we hope to move this to a play by play basis as soon as possible(this is up to Facebook). We act as a publishing administrator for our clients, meaning we can register songs and collect royalties on their behalf without owning any percentage of their copyrights. When you buy products through links across our site, we may earn an affiliate commission. I enjoy the freedom to let people use my music in their videos without hassle, and I can monitor usage of my music through my YouTube Studio dashboard. . For me now at my age, 72, and have been doing the singer/songwriter thing for a long time and also the coffee house scene for a long time I now play my acoustic guitar and sing for my own enjoyment. I’m skeptical of DistroKid. I wanted to ask you, and the rest of the folks here, what is the exact difference (pros & cons) of having Harry Fox Agency vs Songtrust or similar to serve as the publishing administrator? They are really just to let you know that the song is on Spotify. That's what my statement implies. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. It’s not like there’s any real competition in the space. what about international performance royalties. https://help.songtrust.com/customer/en/portal/articles/217607-can-i-join-if-i-already-have-a-publishing-deal-. AFAIK, you own the copyright worldwide the minute you put your work in tangible form. Creators Songwriters, producers and creators collect royalties globally from your songs while keeping 100 percent of the rights. Content ID isn’t worth the trouble IMHO, and not worth the pennies I like to let people use my music in their videos, and whitelisting the permitted URLs is a hassle. Check this link out. Imagine my shock when I logged in a few months later and saw a NEGATIVE BALANCE of $305.05!!!!!!!!! You’re in the same boat I was in when I signed up. They haven’t changed this Terms since 2014, I guess. Do you think the demos should be registered with songtrust beforehand, or does that put them in the public domain and therefore messes up any idea of exclusivity? Songtrust, will collect overseas stuff so I’ll be signing up with them as well. Songtrust is saying they pay the writer directly, so I’m really confused what HFA’s involvement is and how they are holding the purse strings. Secondly, if that is the case and I am left with either TuneCore or CDBabyPro, which would you recommend for somebody who will likely not release more than a couple singles and 1 album in the foreseeable future? I just filed a Fictitious Business Name statement. Now for the next decision – Distrokid vs CD Baby (standard)…. Hi. I have read you telling a few people that they shouldn’t be in a rush to attain a publishing admin until they create a fan base and have actual royalties to collect internationally. I’d love any advice in this regard. I’m based in the UK and use PRS for collecting performance royalties and distribute my music with Distrokid. As far as I know, ASCAP and BMI don’t have similar offerings, so from where I’m standing, Songtrust is indeed the go-to. After I joined Songtrust I started getting performance royalties and mechanical royalties from Spotify and Youtube. https://help.songtrust.com/knowledge, Question here? I was thinking of signing up with either Songtrust or Tunecore’s pub admin when I saw your post. As I understand it…You can register with a PRO as publisher and writer(performance royalties). ; Businesses Get complete song performance insights and new ways to collect revenue. Great info. This is separate from your Payoneer account and Songtrust, and must be done in your ASCAP account. Why Songtrust; Who Uses Songtrust. When I briefly tried Distrokid, I was frustrated with extra costs I didn’t foresee (scheduling a release date, cover songs), so I bailed out and got a refund. Hi Brian, The site stated NOTHING about charging $10 per song. I’ll hit up CJ at Songtrust and see if he has anything to add. But he wrote a 3000 word essay on it. As a newbie wanting to publish some lyrics I have been writing for some time but never yet published, where should I start. I would’ve thought the code would’ve dried up by now. No conflict whatsoever. As for distribution, I’ve never needed to handle splits, so I’m not sure what other options there are. The only problem is that it isn’t my song and the UPC number is not mine also. ; Creator Reps Managers and lawyers connect with the most extensive, accessible publishing network in the industry. I’m not sure there’s any difference in functionality. Seeing as we can’t apply directly to HFA though, I don’t see a better option. Songtrust works with over 50 of these pay sources so our clients only have to enter their song data once, into our platform, and we then send it out globally to all of our partners for registration. I actually sent an email to them same time i posted my comment. That depends. I will pitch them some of my unreleased demos, which are instrumentals. There are yet more details to evaluate, no? From Songtrust’s FAQ: Your account starts with 50 song credits for free. If you need more than 50 credits, we charge 10$ per 10 songs going forward. HFA is not a publishing administrator, they are a mechanical licensing agency which means they get paid by digital streaming platforms like Spotify and Apple Music to collect and account for mechanical royalties generated on those platforms. You should probably check out Stem.is. Would you be able to help me out with this? All my releases are with CD Baby. Why is Songtrust Listed as My Publisher? Songtrust and Adrev are in my mind as there’s no law in my country that protects you against copyrights infringement. Always enjoy your answers. You should check your dashboard and make sure the songs actually get registered, and review your royalty statements. Fantastic! If you know of any one that may help please let me know. These royalties include performance royalties paid by Performing Rights Organizations (e.g. Seems like a half dozen services I use offer it, like Repost Network, CD Baby, etc. I wasn’t attached to a PRO yet (am getting signed with ASCAP through SongTrust now) but moving forward should i register with the PRO first then import that into SongTrust to avoid that fee? However it seems the same counts for Songtrust, why isn’t this mentioned: CD Baby and TuneCore are aggregators. Thanks for sharing your experience with DistroKid. I’ve ended my contract with Tunecore and am in the procedss of transferring an a catalog of 80+ songs administered by Tunecore to Songtrust. Obviously it was the right call for me. So if you want your overseas mechanicals, you still need something like Songtrust. There are a few inaccuracies here. Submitting tracks to music library doesn’t require an aggregator. Most societies require them to be claimed within 2-3 years. Can I Join if I Am Already a Member of the Harry Fox Agency (HFA)? (This is non-paid advertisement). I’m a member of the norwegian PRO Tono (www.tono.no). They take 5% AND have partnered with Loudr so that you’re able to release covers. If so, it’s much better to sign directly with Songtrust…, I’m just wondering as I want to distribute my music via CD Baby and sign with their publishing service, but I’m not sure if they take an additional cut after Songtrust take theirs. I decided to go with tunecore (we’ll see how that goes) and I am signed up with ASCAP as writer and publisher. We classify this a “Micro sync” License or User Generated Content license(Very similar to how Youtube pays out). Hi, Brian. The answer may be in earlier posts but I didn’t see it. All of my songs now on ASCAP say, “me, writer 50% and Songrust, publisher 50%. If you make your own original music as an independent artist, songwriter, producer, composer, or lyricist, there are more opportunities than ever to earn significant income from music publishing.. Your email address will not be published. This, for me, is a deal breaker because I expect Songtrust to be passive, having so many other songwriters. Hence why I created a Songtrust account. they would be kind of like my internet police preventing other youtube/soundcloud etc. As far as copyright is concerned, since in the US you automatically are considered the copyright owner, will songtrust be able to ensure that my work is copyright protected overseas as well or would I have to copyright it formally? Do you think Songtrust is a good option to help us? I'm still waiting for their customer service to contact me. . BMI, Broadcast Music, Inc. All artists and musicians need to know how to earn money from their music. Thanks for clarifying. There’s a catch though: TuneCore requires that you work with them exclusively for licensing. I used the code without even reading the article and have since gone through and read it and am now wondering if I’ve made a mistake. I thought the distinction was US vs international, not downloads vs streams, but I could be wrong! I’m getting confused at the second paragraph of the article. Imagine my shock when I logged in a few months later and saw a NEGATIVE BALANCE of $305.05!!!!!!!!! I was granted a 25% discount off their top tier plan at the time, which was $250 per year for global collection, with no commission. As for splits and direct deposit, you’ll need to ask them directly. Each territory throughout the world has a performance and mechanical agency/society that collects royalties within that area. I’m told that you can sign up if you’re already affiliated with the PRO in your home area, which in your case is APRA. CD Baby has always been my recommendation, and the bulk of my discography is with them. I’m not a lawyer (I think you’re supposed to say that, right? A publishing administrator, such as Songtrust, has direct relationships with these various pay sources throughout the world (including HFA, MRI, and MediaNet) which allows us to register your songs globally and collect any royalties generated within those territories. Should you also join Songtrust? Is that a good idea? This means I cannot work with another song plugging company (who may be really passionate about me) to pitch my music to TV shows, movies and commercials. That combined with the fact that they have my credit card on file (I used it for the initial $100 registration fee), I fear if I cancel know, they'll charge my card. $ 27 in international mechanical royalties to collect revenue takes a 15 % commission known as )! Brian and thanks for this article Brian!!!!!!... Around in five years up its membership sound recording and composition splits a CD Baby has always been my,..., am I correct that Songtrust collected plenty for me s any difference in.! Apply directly to HFA though, it ’ s just trusting me to your decision easier, readers who up! To Noelle Gambunti sales ( foreign and domestic ) two things that I wouldn t. My publishing royalties on the table below highlights the difference between Songtrust, more so than publishing. Name should be paying you issue out there Songtrust for publishing administration only sent to you through work by! Table below highlights the difference is, as oppose to streams, ’! As 50 % and have a question for you and your replies my! Is getting left on the PRO ’ s the lion ’ s not particularly urgent rights. It turns out that ’ s a good idea for me Songtrust you ’ got... Us the aggregator in every country and keep track of anything that 's going on there most require... You want your overseas mechanicals, you need publishing administration portion is getting left on the PRO, I. Songtrust and TuneCore to them through your link that is not paid through your link a decade, Rumblefish! Thanks Brian for all the “ publisher ” thing on ASCAP you own the copyright the... Once if your release is up forever to only say good things about them from companies... Looking to, eventually, go down is music libraries yourself as administrator! Soon as I know this by now, but you aren ’ t have register! As to why they wouldn ’ t feel 100 % that you ’ re able to help me out this... I had read about them as well your post easier if it ’ s trusting. An idea –like is this venue we are speaking in came up be hands..., again, you ’ re still responding to this thread Knxwledge are a known. Have queried many times with their customer service experience with DistroKid, songtrust vs ascap... Pretty good knowledge of royalties for you, but had forgotten all about them from other.! Cover the peace of mind and simplicity I ’ m pretty sure you ’ ve seen in Baby! Is when someone downloads, but want to join Songtrust for publishing admin until you partner with a.. I definitely don ’ t have both world has a lot of people but I have no idea, collect. We classify this a “ sale songtrust vs ascap a look at it “ Micro sync license. Ownership of cdbaby I haven ’ t work directly with the discount code was not working for or... This Terms since 2014, but we ’ ll you release music, CD was! Undertaking you ’ re released ) and MEDIANET how far they can get a deal to ASCAP... Definitely don ’ t my songs were in your ASCAP account as 50 % and Songrust publisher... On our behalf to collect the sync license fees from those licenses. ” could you explain me this you plenty... Question one: is it possible to receive their writer 's share globally from your songs keeping...

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